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There were some challenges with this project — quite a few of the bar’s patrons definitely did NOT want to be photographed. On the whole though, the Cinch’s customers and employees were friendly and welcoming.
I wanted to do a project reflecting Polk Street’s special history, so limiting the project to the Cinch was probably a better idea than shooting Polk Street as a whole as I first wanted to do.
If I were to do this project over again (or continue it in the future), I would focus a bit more on all the paraphernalia at the Cinch, of which there is a lot, including a Star Wars themed back room. Still, the people remain the most interesting thing about the Cinch. In that vein, I would also have interviewed some of the subjects more thoroughly in order to create more interesting stories about them. I also debated whether to use any of the material on the Cinch I discovered at the Gay and Lesbian Museum.
Special thanks to fellow student and professional photographer David Schmitz for his help on this project!